I returned to ee cummings for the inspiration for this canvas. I am really loving this challenge for about 300 reasons, which I should probably document (I just don't want to blather).
Here is my piece:
And here is cumings':
if you like my poems, let them
walk in the evening,a little behind you
then people will say
"Along this road i saw a princess pass
on her way to meet her lover(it was
toward nightfall)with tall and ignorant servants"
(For me, this is about the way in which the words of an awestruck lover make us regal, ennoble us, render us extraordinary.)
Saturday, January 10, 2015
Friday, January 9, 2015
30 Paintings in 30 Days: He Wishes His Beloved Were Dead (Day 9)
Despite studying Yeats for several weeks in college, I had never read Yeats' "He Wishes His Beloved Were Dead" until yesterday, when a Facebook friend asked if I had any plans to do a canvas inspired by it. I fell in love with the poem instantly. The basic gist if it is this: "I wish you were dead, because then you would forgive me and stay still, never to storm away from me again." It's awful and wonderful and altogether human. What I most love is that it indicts that impulse we have (as human beings) to have our way, to get what we want, no matter the cost to someone else, up to and including death.
The actual text is this:
The actual text is this:
- WERE you but lying cold and dead,
- And lights were paling out of the West,
- You would come hither, and bend your head,
- And I would lay my head on your breast;
- And you would murmur tender words,
- Forgiving me, because you were dead:
- Nor would you rise and hasten away,
- Though you have the will of wild birds,
- But know your hair was bound and wound
- About the stars and moon and sun:
- O would, beloved, that you lay
- Under the dock-leaves in the ground,
- While lights were paling one by one.
- I particularly loved the image of her hair being "bound and wound / About the stars and moon and sun." In my depiction, the sun is "off-screen," as it were, its light reflecting in the red glow emanating from the left side of the painting. I dressed her in a Victorian burial gown, and I swapped out her hands for "dock-leaves," which is an awful notion, by the way. In the speaker's imagining, he doesn't see her in a tomb, with a headstone; he simply sees her in the ground, covered by "dock-leaves," which suggests to me that he has (mentally, at least) buried her himself.
- I also wanted to make her face blushed and filled with blood and life, to emphasize, of course, that she should not be dead - that this impulse is not love.
Thursday, January 8, 2015
30 Paintings in 30 Days: Annabel Lee (Day 8)
I was a child, and she was a child in this kingdom by the sea.
I think this probably qualifies as my first-ever landscape painting. I spent more or less all day on it, with a brief break for eating some of my husband's leftover birthday cake.
I think this probably qualifies as my first-ever landscape painting. I spent more or less all day on it, with a brief break for eating some of my husband's leftover birthday cake.
Wednesday, January 7, 2015
30 Paintings 30 Days: Whitman (Day 7)
I can't even lie: I have really been enjoying using poems as prompts. Here is today's canvas, inspired by the first stanza of Walt Whitman's "Song of the Open Road," which I will summarize like this:
"Forget it. I'm taking to the open road. I will stop hesitating, stop doubting, stop whining; I will supply my own needs and be content where I am, with what I have. I don't need to shoot for the stars. I like the earth. I am still dragging all of my past sins and burdens with me, but that's okay. They are part of me, and I am part of them." The actual poem is at the bottom.
"Forget it. I'm taking to the open road. I will stop hesitating, stop doubting, stop whining; I will supply my own needs and be content where I am, with what I have. I don't need to shoot for the stars. I like the earth. I am still dragging all of my past sins and burdens with me, but that's okay. They are part of me, and I am part of them." The actual poem is at the bottom.
| AFOOT and light-hearted, I take to the open road, | |
| Healthy, free, the world before me, | |
| The long brown path before me, leading wherever I choose. | |
| Henceforth I ask not good-fortune—I myself am good fortune; | |
| Henceforth I whimper no more, postpone no more, need nothing, | 5 |
| Strong and content, I travel the open road. | |
| The earth—that is sufficient; | |
| I do not want the constellations any nearer; | |
| I know they are very well where they are; | |
| I know they suffice for those who belong to them. | 10 |
| (Still here I carry my old delicious burdens; | |
| I carry them, men and women—I carry them with me wherever I go; | |
| I swear it is impossible for me to get rid of them; | |
| I am fill’d with them, and I will fill them in return.) |
Tuesday, January 6, 2015
30 Paintings in 30 Days: Dickinson (Day 6)
It would seem I'm on a serious poem kick. Here's a 6x8 canvas panel inspired by my favorite Emily Dickinson poem, "I heard a Fly buzz - when I died."
In case you don't remember the poem (and want to), here she blows:
In case you don't remember the poem (and want to), here she blows:
I heard a Fly buzz - when I died -
The Stillness in the Room
Was like the Stillness in the Air -
Between the Heaves of Storm -
The Eyes around - had wrung them dry -
And Breaths were gathering firm
For that last Onset - when the King
Be witnessed - in the Room -
I willed my Keepsakes - Signed away
What portion of me be
Assignable - and then it was
There interposed a Fly -
With Blue - uncertain - stumbling Buzz -
Between the light - and me -
And then the Windows failed - and then
I could not see to see -
Monday, January 5, 2015
30 Paintings in 30 Days: Neruda (Day 5)
Keeping with my theme of literary canvases, I chose another poem to inspire me today. I admit, "inspire" might seem like an oddly upbeat word since the poem I chose is a mildly creepy sonnet meditating on the lover's death, but it captivated me all the same!
If you die, Neruda entreats his beloved:
"Matilde, my love, leave your lips half-open
. . .
I will die kissing your crazy cold mouth,
caressing the lost fruit buds of your body."
Hey, I warned you: Mildly creepy, but also beautiful.
If you die, Neruda entreats his beloved:
"Matilde, my love, leave your lips half-open
. . .
I will die kissing your crazy cold mouth,
caressing the lost fruit buds of your body."
Hey, I warned you: Mildly creepy, but also beautiful.
Sunday, January 4, 2015
30 Paintings in 30 Days: ee cummings (Day 4)
I discovered ee cummings very early in high school - or possibly even junior high - for which reason, I felt like I truly discovered him, as though he were America, and I were Columbus, as though I could plant a flag and call him mine and feel possessive whenever anyone else got too near him. (Just like Columbus, of course, I didn't discover him, don't possess him, and can't in any way claim him. Alas.) To this day, in any case, he has a very special place in my heart. This piece was inspired by one of his better-known poems, "i carry your heart with me (i carry it in my heart)."
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